[PDF] Montesquiou-Fezensac, Count Robert de



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d'aventuresinventées pour la raison que ni la duchesse de Guermantes ni Palamède de Charlus ne figurent au moins sous ces noms-là dans aucun ouvrage histo-rique,Bottin dansmondain,aucunetannuairepour la desraisontéléphones,aussi quedansl'auteuraucunle précise lui-même « Dans ce livre où il n'y a pas un seul



Montesquiou-Fezensac, Count Robert de

However, Montesquiou is most remembered as the principal model for Baron Palamède de Charlus in Marcel Proust's great novel, Remembrance of Things Past (1913-27, recently translated as In Search of Lost Time) If Charlus's physical appearance and homosexual predatoriness belonged in real life to Baron Jacques



Loriginalité du portrait de la duchesse de Guermantes Dans A

son cousin et actuel beau-frère, Palamède de Charlus» (2002, 322) La consanguinité est soulignée par la manière dont Saint-Loup présente sa famille au narrateur: Ma tante est la nièce de votre amie Mme de Villeparisis Elle a été élevée par elle, et a épousée son cousin qui



Carleton University Winter 2020 College of Humanities

Thursday, Feb 13 Place-Names—The Place, pp 419-474 (the Marquis de Saint-Loup-en-Bray; Palamède de Guermantes, the Baron de Charlus) FEBRUARY 17-21 WINTER BREAK; NO CLASSES Tuesday, Feb 25 Place-Names—The Place, pp 474-675 (the Blochs; Nissim Bernard; Robert’s mistress; the little band; the



“Bernard de Fallois, le proustien capital”

baron de Charlus Il demande à son ami Robert de Saint-Loup : «Dites-moi, ai-je bien entendu ? Madame de Villeparisis a dit à votre oncle qu’il était un Guermantes – Mais oui, naturellement, c’est Palamède de Guermantes – Mais des mêmes Guermantes qui ont un château près de Combray et

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A series of caricatures ina study of Robert deMontesquiou created byGeorges Goursat in1891. Page 1Montesquiou-Fezensac, Count Robert de (1855-1921) by Michael D. Sibalis

Encyclopedia Copyright © 2015, glbtq, Inc.

Entry Copyright © 2003, glbtq, inc.Reprinted from

http://www.glbtq.comCount Robert de Montesquiou was a writer during France's Belle Epoque, but he is best remembered as a

dandy and an aesthete, who inspired the literary creations of others.Born in Paris on March 7, 1855, into a family that traced its nobility back to the early middle ages,

Montesquiou boasted (quite truthfully) that he was "allied to the greater part of the European aristocracy."Montesquiou was equally proud of his intellectual and literary achievements, which, at least in his own

eyes, were considerable. He published eleven volumes of symbolist poetry, but contemporary critics found

his verses overly "precious" and posterity has been no kinder. Montesquiou also wrote two novels, three

volumes of memoirs, and a great deal of literary criticism.He befriended, encouraged, and supported numerous artists: painters such as Gustave Moreau, Edgar

Degas, and James McNeill Whistler; poets such as Paul Verlaine, Stéphane Mallarmé, and François Coppée;

and prose writers such as Adam Villiers de l'Isle-Adam and Marcel Proust.Montesquiou was one of the principal promoters of the Art Nouveau style in France, especially the work of

the glassmaker Émile Gallé. He crammed his home with so much artistic bric-à-brac that fellow aristocrat

Boni de Castellane remarked that he showed "less taste than imagination" as an interior decorator.Montesquiou was a well-known figure in Parisian high society. He entertained lavishly, although, as he

confessed, "I preferred my receptions to my guests, who may have noticed. . . . I gave parties for selfish

reasons, less to satisfy my guests than to please myself."In sum, Montesquiou's contemporaries generally considered him a dandy, an aesthete, and a snob. They

admired his stylishness, but found him pompous and even ridiculous; they flattered his ego because they

feared his savage wit, but they mocked him behind his back.Montesquiou's homosexual tendencies were patently obvious, but he may in fact have lived a chaste life. He

had no affairs with women, although in 1876 he reportedly once slept with the great actress Sarah

Bernhardt, after which he vomited for twenty-four hours. (She remained a great friend.)He had aristocratic women friends, but much preferred the company of bright and attractive young men. In

1885, he began a close long-term relationship with Gabriel Yturri (1868-1905), a handsome South American

immigrant who became his secretary, companion, and possibly lover. After Yturri died of diabetes, Henri

Pinard replaced him as secretary in 1908 and eventually inherited Montesquiou's much reduced fortune.Montesquiou inspired the characters of Duke Jean Floressas des Esseintes in Joris-Karl Huysmans's novel

Against the Grain

(1884), Count de Muzarette in Jean Lorrain's novel

Monsieur de Phocus

(1902), and thepeacock in Edmond Rostand's play

Chantecler

(1910), who pompously announces to the other barnyardanimals: "I am pleased to represent that Good Taste of which I am . . . the guardian."

However, Montesquiou is most remembered as the principal model for Baron Palamède de Charlus in Marcel

Proust's great novel,

Remembrance of Things Past

(1913-27, recently translated as

In Search of Lost Time

).If Charlus's physical appearance and homosexual predatoriness belonged in real life to Baron Jacques

Doasan, all Paris recognized Montesquiou in Charlus's arrogance and insolence, mannerisms, and voice

inflections.Montesquiou pretended not to notice and even praised Proust's work for its realistic treatment of

homosexuality, but he was in fact mortified, writing to a friend: "I have taken to bed, sick from the

publication of three volumes that have distressed me."Montesquiou died in Menton on the French Riviera on December 11, 1921. He was buried in Versailles next

to the faithful Yturri.Bibliography

Chaleyssin, Patrick.

Robert de Montesquiou, mécène et dandy

. N.p.: Somogy, 1992.Huas, Jeanine.

L'Homosexualité au temps de Proust

. Dinard: Éditions Danclau, 1992.Julian, Philippe.

Robert de Montesquiou: Un prince 1900

. Paris: Fayard, 1965, 1987.Painter, George D.

Marcel Proust: A Biography.

2 vols. London: Chatto & Windus, 1959-65.About the Author

Michael D. Sibalis

is Associate Professor of History at Wilfrid Laurier University in Waterloo, Ontario,Canada. He specializes in the history of modern France and has published articles and essays on the

Napoleonic police state (1799-1815), the nineteenth-century French labor movement, and French homosexuality. He has co-edited, with Jeffrey Merrick,

Homosexuality in French History and Culture

(2002)and is currently writing a history of the gay male community of Paris since 1700.

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